Whilst working at the intersection of print, drawing, and sculpture, Bianca Barandun constructs work through the strategy of tinkering, by combining and alternating methods to perceive what happens when materials are used unconventionally. The choices made during the development process of the work are essential. It is a constant search for the balance of when to intervene or when to allow for the materials to take over and for the unexpected to happen, whilst feeding back to the initial idea of the project and indicating a sense of painterly or sculptural logic. Barandun aims to communicate on an intuitive, non-verbal level by encapsulating complex emotions within forms and colors. The goal is to establish a visual language with both rhythm and flow, that includes the imperfections and the unexpected as part of a growing vocabulary. Using the composition of graphic elements, movement and dissonance are guiding ideas to create a set of abstract and dynamic codes. Bianca Barandun assembles shapes drawn from architecture, everyday objects, and memory. Shifting from organic to geometric appearances, they are in flux and generate multiple associations, while playing with anthropomorphic attributions.

The work is based on Barandun’s observations of the formation of groups and social clustering. The variety of media creates a visual suggestion of the complexities of society, illustrating the intricate and labyrinthine nature of interaction within society, the space in which convergence and organization take place.